Cookies on FilmShelves
We use essential cookies to keep the site working. With your permission we also use analytics cookies (so we can fix what's broken) and advertising cookies (so the ads you see are more relevant). Read our privacy policy.
You'll still see ads on the free tier — rejecting just means they won't be personalised.

"Danish filmmaker Benjamin Christensen's obsession with bizarre lighting effects reached its apotheosis with his 1922 masterpiece Häxan. Beginning in a deceptively sedate fashion with a series of woodcuts and engravings (a technique later adopted by RKO producer Val Lewton), the film then shifts into gear with a progression of dramatic vignettes, illustrating the awesome power of witchcraft in the Middle Ages. So powerful are some of these images that even some modern viewers will avert their eyes from the screen. Though obviously a work of pure imagination, the film occasionally takes on the dimensions of a documentary, a byproduct of the extensive research done by Christensen before embarking on the project (incidentally, the director himself can be seen in the film in a dual role as Satan and the Doctor). Häxan marked a parting of the ways for Christensen and the Danish film industry; thereafter, he confined his activities to the German cinema, before answering Hollywood's call in 1928. A separate version of this film exists, with a shorter running time, retitled Witchcraft Through the Ages and released in 1968. It features narration by the legendary Beat writer William S. Burroughs (Naked Lunch) and a score by Jean-Luc Ponty."
As an Amazon Associate and eBay Partner Network member, FilmShelves earns from qualifying purchases. These links may earn us a commission at no extra cost to you.

Häxan (1922)
105 min
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.